Chair +
January 11 – February 17, 2024
1599fdt, San Francisco
https://www.1599fdt.com/chair
https://www.kqed.org/arts/13950490/chair-1599fdt-enthroned-jessica-silverman-gallery
Chair +
January 11 – February 17, 2024
1599fdt, San Francisco
https://www.1599fdt.com/chair
https://www.kqed.org/arts/13950490/chair-1599fdt-enthroned-jessica-silverman-gallery
PRINT SHOP, 2024.
Softcover, 136 pages, full color digital press, one color screen printed covers, Smyth-sewn binding, 8.75 x 10.25″, edition of 180.
COPY GRAPHICS, 2023.
Softcover, 56 pages, black and white, 4 color screen printed covers, hand sewn binding, construction paper, 11 X 8.5, edition of 100.
AN EXCESS OF PRODUCTION, 2023.
Softcover, approximately 450 pages, color and black and white, collected excess printing from previous book projects includes digital, Risograph, screen printed images, Wire-O bound, 3 color screen printed covers, 11 X 8.5″, 30 copies.

Print Shop is an installation of fifty screen prints, each with variations. The prints were made by hand, one at a time, on found paper and coated card stock using an analog process that falls somewhere between photography and painting. They are multiples but each is also unique. No one print is exactly the same as another.
The images were assembled from photographs and graphics in my collection. Some I return to again and again, like the picture of prop heads in Forrest J. Ackerman’s house, the Domus magazine covers, or photographs of ruins, feet, snakes, and early humans. These and other images have been repeatedly copied and altered. Repetition and reproduction is the process. The copy is the subject.
The prints are for sale, and multiple versions can be found in a flat file in the gallery.
January 20 – February 25, 2023
Et al., San Francisco
https://etaletc.com/matt-borruso-print-shop
Print Shop is an installation of fifty screen prints, each with variations. The prints were made by hand, one at a time, on found paper and coated card stock using an analog process that falls somewhere between photography and painting. They are multiples but each is also unique. No one print is exactly the same as another.
The images were assembled from photographs and graphics in my collection. Some I return to again and again, like the picture of prop heads in Forrest J. Ackerman’s house, the Domus magazine covers, or photographs of ruins, feet, snakes, and early humans. These and other images have been repeatedly copied and altered. Repetition and reproduction is the process. The copy is the subject.
The prints are for sale, and multiple versions can be found in a flat file in the gallery.
January 20 – February 25, 2023
Et al., San Francisco
https://etaletc.com/matt-borruso-print-shop
Screenprints (unique), one and two colors, approximately 22 x 18″ on found vintage paper, 2021.
Urs / Matt Borruso – Ellie Hunter
In Borges’ mythical realm Tlön, objects are created by being thought. Before this inception, these objects are almost duplicates of lost objects, similar to those whose migration across mediums generate the ideas and relationships revealed within the exhibition. Even stranger and more perfect than the other objects brought into being on Tlön is the ur – “a thing produced by suggestion, an object brought into being by hope,” or in this case, by seeing, via the specter of the artist.
October 23 – 24, 2021
1599fdT, Mill Valley, CA







Zoo
September 11 – December 1, 2021
Hit Gallery, San Francisco
The Age of Collage Vol.3: Contemporary Collage in Modern Art
edited by Dennis Busch and Francesca Gavin, Gestalten Press, 2020